You Have Grit

This was started Christmas Week and I didn't finish until now. I think it is still worthwhile coming up on the OSCARS!

It has been a week since I started my tour of the 2010 holiday cinema but I cannot get over "True Grit" and "The King's Speech" nor can I forget that "Little Fockers" was actually awful and "Tron: Legacy" was a lot of fun. Oh, and when I reminisce about "Black Swan" I close my eyes forgetting that my memory is clearer that way and then open them to escape the girl that haunts me!

The holiday 2010 season has been a great one and disappointing one in film and if you want my two cents, read on! In order of what I saw, not necessarily in order of what I loved, here are a few reviews that might save you $10 or spend your monthly allowance.

Black Swan has been on the moviegoers map for a while and it might just be the vehicle that carries Natalie Portman to the Oscars' stage this year. Portman was stripped physically and emotionally in this role that unlike any she has played. From the technical abilities she displayed in dancing ballet to the vulnerability of someone who wants more than anything to play the lead role to the psychotic visions she shares with the audience, Portman was convincing and frightening. It is a dark film and not one for the weak of heart but a worthwhile look behind the scenes of the aesthetically beautiful ballet. Mila Kunis also deserves mention as the fellow dancer to brings out the most disturbing thoughts from Portman. Barbara Hershey was the perfect stage mother/former dancer and Vincent Cassel was fantastic as well as the artistic director of the ballet. Wynona Ryder's turn as the former star of the ballet was impacting for the amount of screen time. For those familiar with Darren Aronofsky's previous films, this one lives up to the delightful feeling of discomfort and repulsion that you have experienced before.

The King's Speech is my pick for everything this year and though when I started this entry there were not yet Oscar nominees, the truth is out there now so it should be mentioned. Colin Firth, the lovely and talented actor who in recent years has moved on from pop cinema into roles that have finally been written to his justice, must be crowned "Best Actor". His portrayal of Bertie (later King George VI), a royal with a stammer that prevented him from even flawlessly telling a bedtime story to his daughters (one of which is now the Queen of England) was both heart-breaking and awe-inspiring. As someone who did not know the story of this period of history in the royal family, the film was also a fantastic history lesson as well as a great family drama. Helena Bonham Carter rounded out the love story between Bertie and the now Queen Mother, Elizabeth, a strong and determined wife and partner for the King. Lionel Logue, the Australian speech therapist who gives Bertie the dose of tough love, true friendship and unorthodox treatment that he needs is played by the remarkable Geoffrey Rush who is ever a privilege to watch on screen. Guy Pearce a strong and worthy antagonist to Bertie as Prince/King Edward VIII.

Little Fockers embarrassed me. I was embarrassed seeing a movie that on the whole exhausted the humor of erectile dysfunction. I was embarrassed as I sat next to my parents, to see DeNiro as Jack Burnes asking Greg Focker to help him after he took the perverbial "blue pill" and suffered a 6-hour side effect. And, I was lastly embarrassed that the film was even made. My opinion: skip it. There are better films (The Hangover, Forgetting Sarah Marshall, Wedding Crashers) with crass, college humor and better story lines. If you miss Jack Byrnes watch "Meet the Parents". If you love the Fockers, watch "Meet the Fockers". I'm all for fun at the movies and love Robert DeNiro (one of the greatest American actors ever) in a comic role as much as a dramatic role but it just did not make me happy. Consider also "Everybody's Fine" on of my DeNiro favorites as of late.

True Grit is a remake of the 1969 John Wayne film of the same name. It is a very, very good remake and having seen both, I can say that both are worth watching. I think the greatest joy in the 2010 version is the introduction of a the young and ridiculously talented Hailee Steinfeld who plays the role of Mattie Ross. There is little time that Steinfeld is not on screen and she delivers the Coen Brothers' dialogue flawlessly. The dialogue is unique and has a fantastic cadence that is echoed by all of the actors in the film. I am reminded of David Mamet who is a master at creating a rhythm in the way he writes the script. It is truly wonderful. Mattie Ross seeks the hired help of a U.S. Marshal to locate and capture her father's murderer, Tom Cheney, and hires one "with grit". Rooster Cogburn, played by Jeff Bridges does indeed have grit. Bridges transformed into a curmudgeonly, crusty old marshall who ultimately wants to protect Matt Damon was surprising as Texas Ranger LaBoeuf the cocky but eventually redeemed bounty hunter who was commissioned by another to find and kill the same Cheney.  The tense trio set off on an adventure to catch the killer and it is a fun ride to be on.

Tron: Legacy

That's a wrap of of the films I saw almost two months ago, finally. It's about time!

Heavy Films, Heavy Heart

With awards season on the horizon, I have become somewhat obsessed with catching up and keeping up with the films that are available for viewing and in only one case have I been at all disappointed at the theater. I'll review that film later! One night last week, I caught a custom double-feature at the Hillcrest Landmark Theatre and was impressed and crushed twice. "A Single Man" and then "Precious" did me in and I wouldn't change that evening for the world.

"A Single Man" stars a personal favorite, Colin Firth, in a role that displays and challenges his abilities as an actor and he wins. As George Falconer, a homosexual professor who suddenly loses his partner and finds no will to live, Firth portrays sadness beautifully and convincingly. In order to give nothing away, I am being careful here but I held my breath several times and eventually became choked up during the glimpse at one day in the man's life. Julianne Moore's small role was entertaining and impacting and along with some flashback scenes offered a glimpse into Firth's character before the death of his partner. Nicholas Hoult, who you probably remember last from "About a Boy" is grown up and gorgeous as a student who plays a big part in Falconer's last day. The fashion, the actors, the cinematography and the script make A Single Man a unique, quiet and impacting film. The use of color was incredible as well.

"Precious" was difficult because of the subject matter alone. Precious is played by a first-time actress who effectively broke my heart from the start in a painfully authentic and unexaggerated performance as a teenage girl who is pregnant by her father for the 2nd time and still finds the will to try to improve her life. She lives with her terribly abusive mother and is still in Junior High. Things begin to change when she is placed in an alternative school and begins to learn about love. This isn't a typical after-school special or Lifetime-esque movie. This is a gritty and painful story and is very hard to watch but it is worth the time. There is some relief in Precious' daydreams of becoming someone else but otherwise, it is rough. Lee Daniels did an incredible job of telling the story of Precious and made the exact right casting decisions for the title-role. It is said that he initially looked for girls who were just like Precious--living in the projects, uneducated, etc. but then he went with someone who didn't come from that background and that was the best move.

When Did You Last See Your Father?

This is not a question you have to answer but if you can't remember, it may be something to think about. It got me thinking, as I watched the film of this title.

Starring Colin Firth and Jim Broadbent as son and father, And When Did You Last See Your Father? is a film based on an autobiographical novel and takes place between the 60s and the late 80's as a son looks to flashbacks to reconcile his relationship with his father as his father lays dying.

The film is sentimental at times and uncomfortable at others as the difficult nature of the father-son relationship is revealed from Firth's early childhood through his adulthood. There is nothing outrageous that occurs which makes the film all the better because it is slightly easy to relate to unless you claim the perfect relationship with your father or have had an colorfully volatile one.

All in all the film is quiet with Broadbrent adding the most color. He was in stark contrast to the brooding son Blake played by Firth as an adult and Matthew Beard as a teenager. The son's angst and anger at his father was understandable though Broadbent's gentle, jovial and vulnerable portrayal made him likable too.

This is one that a viewer can rent. I did enjoy the film and recommend it to any Firth fans or anyone who has ever had doubts or questions about a father's love. It was somewhat anti-climactic but sometimes that's how life is.

Coming Later this summer: Colin Firth in Mamma Mia! Only 2 weeks to go.